Video production for e-commerce
Product video for a shop is a throughput problem: the creative decision is made once, then executed identically across hundreds of items.
What this is about
The unit of planning is the SKU, not the scene: a day is measured in items completed, and every deviation from the standard setup costs multiples because it repeats across the catalog. Consistency is the product — the same angle, background, lighting and turn speed must hold across shooting sessions months apart, which requires documented setups down to camera height and distance. Sample logistics run the schedule: items arrive from suppliers, wait for steaming or cleaning, get shot, and often return. Marketplace and shop-platform image rules constrain formats and backgrounds. And what the clip shows must be what ships — a variant, cable or accessory in frame that is not in the box creates returns and complaints.
Sector routine beats general experience: knowing the field's approval paths and constraints produces more realistic plans than more shoot days without that context.
What runs differently here
In planning terms, that means:
- Throughput is planned per SKU with minutes budgeted per item — one extra styling step multiplies across the whole catalog
- Setup documentation — camera height, distance, light positions, turn speed — is the only way sessions months apart match
- Sample logistics gate everything: arrival, prep, shoot and return of items run as their own tracked pipeline
- Marketplace image and video rules constrain background, format and duration before creative preferences enter
- Frame contents equal box contents — accessories or variants shown but not shipped create returns
What the plan has to deliver
A production plan is useful to this role when it provides the following:
- A per-SKU time budget and daily target that survives contact with steaming and prep
- A written setup bible so any operator reproduces the standard shot
- A sample pipeline with arrival, prep, shoot and return status per item
Common pitfalls
What most often goes wrong in practice:
- Letting each session's operator improvise the angle by eye
- Planning shoot days before the samples have cleared inbound
- Showing the premium variant in the clip that sells the basic one
With TillyGen
TillyGen treats catalog production as the system it is: standardized setups, per-SKU schedules and sample status in one plan, so session twelve matches session one.
Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.
Frequently asked
How many products can we realistically film per day?
Depends on prep intensity: steamed apparel and reflective items eat time, boxed goods run fast. Set the number from a test day, not from hope, and protect it by batching similar items.
How do we keep clips consistent across months?
With a setup bible — documented camera height, distance, light plan and turn speed — plus reference frames from the first session that every later session matches before rolling.
Do marketplace rules affect video too?
Yes — platforms set format, length and background requirements, and some restrict claims and overlays. Check the current spec per channel before defining the standard shot.
How long does it take to get started with TillyGen?
A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.
Can the results be exported?
Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.