ProRes 422 HQ storage requirements

One hour of ProRes 422 HQ in UHD at 25p takes 324 GB. The table below runs the numbers for every common resolution and frame rate — including how many cards and how much backup volume a shoot day actually needs.

Footage Storage Calculator

Source (camera/codec)fpsHoursGB
Footage per day
With all copies
Cards needed
Offload time (1 copy)

Data rates: ProRes/DNxHR are per-frame constants from the Apple/Avid specs; RAW derives from resolution × bytes/pixel (nominal). Details further down this page.

ProRes 422 HQ: GB per hour

ProRes 422 HQ is per-frame constant (3.69 MB per UHD frame per the spec) — the data rate scales linearly with frame rate and pixel count. That is why 50p is exactly twice 25p, and 8K four times UHD.

ProRes 422 HQ storage in GB per hour (2026)
Resolution24p25p30p50p60p
HD 1920×1080788197162194
UHD 3840×2160311324389648778
4K DCI 4096×2160332346415691829
6K 6144×32407467789331,5551,866
8K 8192×43201,3271,3821,6592,7653,317

From GB to a shoot day

A typical shoot day produces 2–4 hours of footage per camera. At ProRes 422 HQ in UHD 25p that is 648–1,296 GB per camera — before copies. With 3-2-1 backup (three copies) it multiplies to 2.8 TB per three hours of material. The table runs three full shoot-day scenarios:

Shoot-day scenarios with ProRes 422 HQ (UHD 25p, one camera)
FootageRaw data1 TB cards3-2-1 volumeOffload per copy (400 MB/s)
2 h648 GB11.90 TB28 min
4 h1.27 TB23.80 TB55 min
8 h2.53 TB37.59 TB1 h 51 min

Planning offload and backup

Offload is the underrated line: securing a 1 TB card over a 400 MB/s link takes about 42 minutes per copy. Book the DIT only for wrap and you have booked a night shift.

In the schedule this number belongs in two places: as a card budget on the equipment list and as an offload window in the day plan. TillyGen keeps both in the same plan — change the shooting hours and the offload window moves with them.

Frequently asked

How much storage does 1 hour of ProRes 422 HQ need?

In UHD at 25p: 324 GB. At 50p, double that. Every resolution is in the table above.

Are the numbers exact?

ProRes/DNxHR are specified target rates; real files land within a few percent. For capacity planning, use the nominal value plus 10 % headroom.