Co-production

A co-production splits financing, work and rights of a film project between two or more partners.

What this is about

In the corporate world co-productions appear when two brands fund one film, when a production company and a platform share a format, or when budget is pooled across country subsidiaries. Shared money always means shared decisions, so the agreement has to fix approval rights, credit order, usage rights per partner and what happens when one side wants changes the other will not pay for. The creative benefit is real; the coordination cost is too.

A term only helps when everyone on set means the same thing by it — so what follows is how it is used, not a dictionary definition.

What runs differently here

Where this differs from the general case:

  • Every partner needs defined approval rights — unanimity on everything stalls the edit
  • Usage rights are split by partner, channel and territory in the agreement
  • Credit order and logo placement are contract items, not post-production surprises

With TillyGen

TillyGen keeps a co-produced project in one shared plan, so both partners see the same scope, schedule and cost split.

Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.

Frequently asked

What must a co-production agreement fix before shooting starts?

Financing shares, approval rights, credit order and usage rights per partner, channel and territory — plus an agreed path for changes only one side wants. Have the draft legally reviewed.

How long does it take to get started with TillyGen?

A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.

Can the results be exported?

Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.