LUT
A LUT is a lookup table that translates one set of colour values into another.
What this is about
Two very different jobs travel under the same three letters. A technical LUT converts a camera's log curve into Rec. 709 so the image can be viewed and judged correctly; it is a defined transform, not a taste decision. A creative LUT is a preset look, a starting point a colourist places on top of a properly converted image. Applying a creative LUT to unconverted footage produces clipped highlights and odd skin tones. On set, the same LUT should feed the director's monitor and travel to post as a reference.
A term only helps when everyone on set means the same thing by it — so what follows is how it is used, not a dictionary definition.
What runs differently here
In planning terms, that means:
- Convert first, then style: a creative look belongs on top of a correct technical transform
- Send the on-set monitoring LUT to post as a reference for the intended look
- A LUT is not a grade — it applies the same table to every shot, regardless of exposure
With TillyGen
Look references agreed in the plan stay attached to the project in TillyGen, so the reference the set monitored against is the one review discusses.
Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.
Frequently asked
Can a LUT replace colour grading?
No. A LUT treats every shot identically, while grading balances each one first. Use the LUT as a starting point, then correct shot by shot.
How long does it take to get started with TillyGen?
A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.
Can the results be exported?
Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.