Archive Master
An archive master is the long-term preserved package of a finished production.
What this is about
Where the delivery master answers today's request, the archive answers the one arriving in three years: a new language version, a re-edit, a shot needed for another film. That means storing more than the finished file — project data, graphics with their source files, the mix stems, the camera originals worth keeping, and a short text explaining the structure. Formats should be open and widely supported rather than tied to one program version. Two copies in different places, plus a periodic check that the files still read, is the usual minimum.
A term only helps when everyone on set means the same thing by it — so what follows is how it is used, not a dictionary definition.
What runs differently here
In planning terms, that means:
- Archive more than the film: project data, graphics sources, audio stems and a short structure note
- Store two copies in different physical locations and verify periodically that they still read
- Prefer open, widely supported formats over anything tied to one software version
With TillyGen
A project documented in TillyGen still carries its decisions and approvals years later, which is exactly the context an archived file cannot supply by itself.
Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.
Frequently asked
How long should material be kept?
Follow the contract and the licence terms of music and footage. Beyond that, most producers keep project data for as long as a re-edit stays plausible.
How long does it take to get started with TillyGen?
A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.
Can the results be exported?
Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.