Watch Time
Watch time describes how long viewers stay with a film before they leave it.
What this is about
Platforms report retention as a curve, and the shape says more than the average. A steep drop right at the start usually means the opening promised something the film does not deliver, or the format is wrong for that placement. A cliff in the middle marks a specific moment — an overlong logo sequence, a transition nobody follows, an interview that outstays its point. A flat tail suggests the ending could carry more. Counting rules differ between platforms, so compare a film with your own films on the same channel rather than with outside figures.
A term only helps when everyone on set means the same thing by it — so what follows is how it is used, not a dictionary definition.
What runs differently here
In planning terms, that means:
- Read the curve, not the average — its shape names the second where the edit loses people
- A cliff in the middle points at one identifiable moment, which makes it fixable in the next cut
- Platforms count watch time differently; compare against your own channel, not against outside figures
With TillyGen
TillyGen ties every scene to a purpose in the plan, which makes a weak stretch easier to spot before it is shot.
Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.
Frequently asked
Is a longer film automatically worse for watch time?
No, length and retention are separate questions. A long film that keeps its promise can hold people; a short one that opens on a logo can lose them just as fast.
How long does it take to get started with TillyGen?
A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.
Can the results be exported?
Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.