Conference recording

Conference recording is industrial capture: the same setup repeated across rooms and days, where the plan wins on logistics, not on cinematography.

What this is about

Count first: rooms times slots times days. A conference recording is sized by that multiplication, and every planning decision follows from it — how many static camera kits, how audio comes off each room's PA, how slides are captured as a clean signal instead of filmed off the screen. The product is an archive and a content library: talks published individually, searchable, credited. That makes it the sober sibling of the aftermovie, which chases emotion for marketing. The critical system is unglamorous: naming and logging, so that after three days and dozens of sessions, every file finds its talk, speaker and consent form.

The format determines scope, crew and timeline — before the first location has been scouted.

What runs differently here

In planning terms, that means:

  • Scale is multiplication, not addition: each parallel room needs its own kit and operator or a tested remote setup — the plan states which rooms get which tier
  • Slide capture runs as a signal split from the presentation output, synchronized with camera and audio, because filmed screens age terribly
  • Speaker consent is collected per talk with the session log, including publication scope — one missing form blocks one published video
  • Turnover between slots is the tightest constraint: card changes, file naming and level checks happen in minutes while the next speaker plugs in

What the plan has to deliver

A production plan is useful to this role when it provides the following:

  • A room-and-slot matrix assigning kits, operators and audio sources per stage
  • A naming and logging convention applied from the first card: event, room, slot, speaker
  • A consent workflow tied to the session log, with publication scope per speaker
  • A slot-change checklist that fits inside the conference's shortest break

Common pitfalls

What most often goes wrong in practice:

  • Filming the projection screen instead of splitting the slide signal
  • Relying on one operator to cover two parallel rooms with overlapping slots
  • Sorting three days of unlabeled files after the event instead of naming them during it

With TillyGen

TillyGen builds the room-and-slot matrix from the conference program and attaches kits, operators and consent status per session — the archive is organized before it is recorded.

Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.

Frequently asked

What setup does one conference room need?

A locked-off camera on the speaker, audio from the room's PA or a dedicated lavalier, and a slide capture from the presentation signal. A second angle is comfort, not necessity.

Conference recording or aftermovie — do we need both?

They answer different questions: the recording preserves the content for people who were not in the room; the aftermovie sells the feeling to people who should come next year. Many events need both, planned as separate streams.

How long does it take to get started with TillyGen?

A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.

Can the results be exported?

Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.