Teaser video

The hardest planning question in a teaser is not what to shoot, but what the audience must not be able to work out.

What this is about

A teaser runs ahead of a launch, a premiere or an announcement and is built on absence: a sound, a silhouette, a date. It has to create a question, which means its content is defined by an exclusion list as much as by a shot list. Compared with the trailer, which represents a finished piece and shows its shape, the teaser usually exists before there is anything to represent — sometimes the product is not final, sometimes the film is still shooting. Production is short but secretive: a compact crew, a controlled location, non-disclosure agreements for everyone on set, and asset handling that keeps the material off shared drives.

The format determines scope, crew and timeline — before the first location has been scouted.

What runs differently here

In planning terms, that means:

  • The plan starts with a written exclusion list: which detail, logo, silhouette or voice may not be identifiable in any frame
  • Confidentiality is a production constraint — crew size, location choice and file handling all follow from the embargo, not from the budget
  • Sound often carries more than picture, so the audio idea belongs in pre-production rather than being found in the mix
  • If the teaser is cut from a bigger shoot, its setups get booked separately, because teaser framing hides what the main film reveals
  • The release date is fixed by an announcement moment, so delivery has no room to slip behind the shoot

What the plan has to deliver

A production plan is useful to this role when it provides the following:

  • A written list of what must stay unrecognisable, agreed with whoever owns the launch
  • Signed confidentiality agreements for crew and any talent, plus a defined route for the files
  • A separate shot list for teaser-specific framing, even when it shares a day with the main production

Common pitfalls

What most often goes wrong in practice:

  • Hiding so much that nothing is memorable — a teaser without one concrete hook leaves no question behind, only confusion
  • Shooting teaser frames as an afterthought at the end of a long day, when the crew is done and the light has gone
  • Letting the file circulate before the embargo, which ends the campaign before it starts

With TillyGen

TillyGen plans the teaser from its exclusion list: what must stay hidden shapes the shot list, the crew size and the confidentiality steps in the schedule.

Change one constraint and the consequences travel through the whole plan: affected shots are flagged, the call sheet is regenerated, and nobody keeps working from yesterday's version.

Frequently asked

How is a teaser different from a trailer?

A teaser withholds and usually appears before the thing exists publicly. A trailer represents something finished and shows enough of its shape for a viewer to decide.

Can a teaser be cut from existing footage?

Sometimes, if the framing genuinely hides what should stay hidden. Otherwise it needs its own setups, because concealment is a camera decision, not an edit decision.

How long does it take to get started with TillyGen?

A first project takes under an hour to set up. There is no configuration phase in which templates and fields have to be defined before the tool produces anything.

Can the results be exported?

Yes — as PDF for the crew, CSV for downstream systems and through the API for anything automated. The plan stays the source; the exports are views of it.