TillyGen for your role
What producers, directors, DoPs and ADs each need.
- ProducerThe producer owns the gap between what was promised and what is achievable. What the role…
- Line ProducerThe line producer makes the budget and the schedule agree with each other. What the role…
- 1st ADThe 1st AD converts a shot list into a day that ends on time. What the role needs from a…
- DirectorThe director decides what the film is; everything else decides whether it can be shot. What…
- Director of PhotographyThe DoP needs to know the light window before the lens list matters. What the role needs from…
- Production ManagerThe production manager keeps twenty moving parts from colliding. What the role needs from a…
- In-house video teamAn in-house team plans and shoots and edits — usually all three in the same week. What the…
- Freelance filmmakerA freelancer is producer, director and AD in the same afternoon. What the role needs from a…
- EditorThe editor inherits every coverage decision made on set. Why an edit-aware shot list is the…
- ColoristGrading can match almost anything, at a price set weeks earlier. How light windows, on-set…
- Sound DesignerSound design builds the world the picture only implies. What the shoot has to capture — room…
- Motion DesignerTitles, supers and screen replacements need room in the frame. How storyboard and shot list…
- GafferThe gaffer turns a lighting concept into rigging time, power and truck space. Why the lamp…
- Sound RecordistClean production sound is decided at the scout and in the schedule, not at the fader. What…
- 1st ACFocus is a bet on distance and rehearsal time. What the 1st AC reads out of the shot list…
- Script SupervisorShot out of order, a film only stays coherent if someone tracks it. What script supervision…
- Production DesignerSets are built, dressed and struck on a calendar the shoot day never sees. How the production…
- StylistWardrobe depends on casting, fittings and change slots in the day. What styling needs…
- Makeup ArtistNo first shot before the last person leaves the makeup chair. How chair times shape the call…
- Location ScoutA location is a bundle of constraints behind a good-looking facade. What a scout checks…
- Casting directorCasting spends its credit on other people's calendars. What has to be fixed before an option…
- Drone operatorAerial work is booked by the hour and decided by airspace, weather and paperwork. What a…
- DITCodec, resolution and frame rate decide how long a card takes to copy. Why offload belongs in…
- Agency producerThe agency producer buys a production and defends it internally. What a plan must show so…
- Creative directorA concept meets a schedule and loses something. Marking the load-bearing shots in advance…
- Art buyerArt buying commissions the people who make the images and licenses what they produce. Why…
- Marketing managerThe campaign date is fixed long before the shoot exists. What a production plan has to show…
- Brand managerPackaging state, colour accuracy and claims turn into brand decisions on a shoot day. Which…
- Social media managerVertical is a framing decision, not a crop applied afterwards. What a shoot has to plan so a…
- Communications managerFilming inside a company means people, sites and statements that each need permission. Which…
- Event managerAt an event the run of show is the schedule and nothing waits for a camera. What has to be…
- Content creatorOne shoot day feeds weeks of publishing, and the person in front of the lens is also the…